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"Spare prose and assured pacing place this above most other contemporary noirs." Publisher's Weekly

"Written in a spare, terse style, and with chapters alternating between past and present, we slowly learn more about March. But even then the closing chapters present a devastating twist and shocking conclusion." Sunday Tribune

"Dave Zeltserman's Killer is simply one of the best crime novels I've read. Not in a long time, not in ages, not this year, but ever." Juri Nummelin, Pulpetti

"The whole book is told in tightly controlled prose that's perfectly suited to the subject matter. Killer is another bang-up job from Zeltserman, and a noir novel in the grand tradition. Don't miss it." Bill Crider

"In a Nutshell: Superbly written with a real twist in the tale, Killer is a novel which will appeal to lovers of crime fiction and the general readers alike. As a reader who usually ‘crosses the road’ to get away from crime fiction, Zeltserman has single-handedly convinced me that I should rethink my long-established custom of shying away from the genre." RobAroundBooks

"This is arguably the quietest and most intimate of the trilogy, it is neither the riding-shotgun-with-a-psychopath hell ride that was Pariah nor a twistily plotted, emotionally devasting shocker like Small Crimes. There’s plenty of violence and the ending takes a stark turn that is extremely dark and satisfying, but this is the most character study-esque novel of the trio. Also, though March may have the highest body count of the three novels’ protagonists, he is arguably the most sympathetic...Killer caps off one of the more striking runs in crime fiction of recent years, a series that was consistently darker, bleaker and more violent than practically anything else out there right now." Nerd of Noir

"And it’s a voice that tugs at the reader’s emotions in subtle, contradictory ways, which makes it seem convincing and credible. In addition, the structure of the book, with chapters alternating between the present and past events, enables the reader to get a rounded grasp of March’s persona and his history of violence." Rob Kitchin, The ViewFromTheBlueHouse

"This excellent tale moves along at a great pace as March tries to redefine himself after prison and reconnect with his children. The chapters alternate between present day and flashbacks to his days as a hitman. There are twist and turns in this novel that will keep you guessing until the last page. If crime fiction is at all for you, you should check this book out because Zeltserman is a new master." 410Media

 

"Dave Zeltserman is at it again writing about ex-con antiheroes with the kind of panache that would make Jim Thompson, king of the psycho killer novels, proud." Boston Globe

"With graphic imagery and exciting twists, this novel is impossible to put down and has a surprising ending. A brilliant read." Aberdeen Press & Journal

"Finishing off his men-out-of-prison trilogy, Dave Zeltserman delivers KILLER, which does nothing else but prove to readers that he is truly the king of Boston crime. This is not some overwrought, long-winded attempt at noir, but streamlined, punch-to-the-gut writing.... His style is one of the best among crime writers going today. So far, the two other books of this trilogy have made many best-of lists, and — guess what? — this will be his hat trick. I can’t think of another writer I’m more excited to see another book come from than Zeltserman" Bookgasm

"Killer is a major novel of crime." Ed Gorman

"This novel is everything hard-boiled fiction should be - compact, direct and disciplined, and concerned with humans rather than stereotypes. It is also, for all its violent subject matter, a quietly told story, which makes its tension all the more intense" Mat Coward, Morning Star

"This short, sharp blast of a novel continues Zeltserman’s fearless exploration of criminal psychopathy with a strong narrative, a unique voice and a willingness to present the reader with protagonists who may not be inspirational or necessarily sympathetic, but are endlessly complex, fascinating and terrifying." Crime Scene Scotland

"this is vintage Zeltserman, and that means there's always a tail. With a sting. Be warned." Roger Smith

"Here at the Bookbag, we've been very impressed with Dave Zeltserman's work thus far. He uses a wonderful noirish narrative that takes you straight to the heart of the story. His story telling is very straightforward, not weighing down the story with too much style, but sticking to the substance and delivering a hard-hitting work every time. With Killer, he has done the same again." Iain, Wear, thebookgag.co.uk

"Read the book, amici. It’s a very good one that will rock you in the last few pages." Charlie Stella

"Highly recommended ... Zeltserman’s choices and the way he links them feel exactly right. He times the revelations and the peeling away of the past to enhance events happening in the present." NextRead

"To put it simply, Killer is a brilliant character study that will rip the literary rug right out from under the reader's tightly-curled toes." Corey Wilde, The Drowning Pool

"Right off the bat let me tell you that Killer is the best of the ‘Man out of prison’ trilogy. Don’t get me wrong, the casual psychopathic meanderings of Joe Denton in Small Crimes was a sinister treat and the over the top violence and subtle social satire of Pariah was out-and-out brilliant. But with Leonard March, Zeltserman has found a wholly empathic narrator. Readers will connect with March and feel for his struggle to assimilate into a society that he was never really apart of and will be enthralled with how Zeltserman craftily alternates the story lines between March’s dismal present and the chapters which detail his evolution as a hired killer." Spinetingler Magazine


 

 

"I didn't think a suspense story could get any more dark and twisted than Zeltserman's pulp masterpiece…Small Crimes…Now comes Pariah, a doozy of a doom-laden crime story that not only makes merry with the justice system, but also satirizes those bottom feeders in the publishing industry who would sign Osama bin Laden to a six-figure contract for his memoirs, if only they could figure out which cave to send their lawyers into. If there's any other young writer out there who does crime noir better than Zeltserman, I don't even want to know. As it is, I can barely handle reading him without altogether losing whatever faith I've got left in humanity." Maureen Corrigan, Washington Post

"Pariah is a terrific blast" Metro (UK)

"With this book Zeltserman entrenches his position as the ranking neo-noirist, putting a contemporary spin on a tradition that goes way back to Thompson and James M. Cain. If you like your fiction dark, lean and uncompromising, Pariah has to be at the top of your list." Roger Smith, Crime Beat South Africa

"It happens rarely, but sometimes you get to the end of a book and what has gone before leaves you speechless. As a reader, this is a wonderful feeling, as you've just been through a great experience. As a book reviewer, however, it presents a problem, as you tend to have to sum up a book in more than no words. My first draft of this review read simply '...' ... It's the kind of book that is going to spoil whatever I read next, as it's going to be found wanting compared to this. This is a book that anyone with even the slightest interest in the crime or thriller genres simply must get their hands on, as it's bound to have a huge impact on you."  The Bookbag

"I just finished reading Dave's new novel Pariah. It is one of the most crazed, hilarious, bitter, brutal novels this side of those composed on violent wards." Ed Gorman

 

 

 

Once part of the holy triumvirate ruling the South Boston Irish Mob, Kyle Nevin is set up by his boss Red Mahoney, which leads him to a court case and a stretch in the slammer. Newly released, and reduced to sleeping on his brother's couch, Kyle's hungry -- for revenge, status and easy money

A kidnapping gone horribly wrong leads to a major book deal for Kyle and newfound celebrity -- but it also unleashes a trail of mayhem for those unlucky enough to cross his path.

Pariah is a heady mix of crime novel, history, social commentary and a satirical look at the publishing industry.

 

"For those who prefer the darker slice of life, Pariah will keep you glued to its pages. The chain reaction of Kyle Nevin’s release from prison on the world around him is the stuff of nuclear explosions. Violent, sexual and relentless, there are no holds barred anywhere in this wonderful launch into evil. The meek beware … be-very-ware." Charlie Stella

 

"Zeltserman has succeeded in bringing a blithely psychopatic character to the page who will chill the blood. Despite the utter moral bankruptcy of the main character, Pariah is gripping as opposed to repugnant. Zeltserman's writing and plotting are sharp and the plot is immaculately crafted. The only other author writing about such venal characters with such an incisive eye is Jason Starr, and some of Starr's characters are downright cuddly when compared to Zeltserman's. Pariah is a scathing rebuke of society's obsession with fame, and mythologizing of gangsters and the repugnant moral calculus that allows them to victimize innocent people with impunity" Nathan Cain, Independent Crime
 

"Its rare that a meta novel ends up being entertaining as well as clever, but Dave Zeltserman’s excellent new novel, Pariah manages that trick very successfully; at once a noir-ish kidnap novel and an attack on the nature of celebrity memoir, plagiarism and the worst excesses of the publishing industry." Crime Scene Scotland

 

 

 

"Darkly enjoyable... clear, crisp prose; his fearless portrait of amorality; and his smart plotting... what a fine addition to the local literary scene he’s become." Boston Globe

 

"Another phenomenal outing for Zeltserman" Thuglit

 

"This is a masterpiece." Seymour Shubin

 

"Following up the critically acclaimed SMALL CRIMES, Dave Zeltserman had to prove that book was not some sort of fluke. PARIAH proves that CRIMES was no fluke, even surpassing that previous novel in leaps and bounds, to the point that Zeltserman should be considered the new king of Boston crime. In my eyes, the last writer who held that title was George V. Higgins." Bruce Grossman, Bookgasm,

 

"Take Dave Zeltserman’s Pariah, an entry in what I think of as the Whitey Bulger sweepstakes. Fictions based on the fugitive Boston Irish mobster to date include George V. Higgins’ 2000 novel At the End of the Day and the Oscar-winning Martin Scorsese film The Departed. Zeltserman, writing in the pitch-black comic tradition of Jim Thompson or Charles Willeford, deserves to stand in such exalted company." Chauncey Mabe, Palm Beach Arts Paper

 

"PARIAH is my pick for crime novel of the year. Tough, relentless, and packed with blunt force trauma, the book uses a Whitey Bulger-inspired premise as the framework for a disturbing and darkly satirical study of a psychopath." Hard Feelings

 

"This book just sucked the air right out of me. It's more than great noir. This book's got teeth that bite and claws that catch, and it's a masterpiece... If you revere the dark tales of Charles Willeford, Jim Thompson and James M. Cain, add Dave Zeltserman's name to your list. I promise you that in years to come, when those first three names are mentioned, so will the fourth." Corey Wilde, The Drowning Pool
 

"Mean like bad whiskey and sophisticated like good scotch, PARIAH is a rare find and a scorching read. This accomplished novel features a great blend of strong narrative voice and a realistic, multi-layered plot that lays bare the dark soul of South Boston's underworld. In Kyle Nevin, his main character, Zeltserman has a dark Celine creation that is as literary as he is noir. To my mind this novel provides the final word on the Southie's demise and does so more artfully than it's predecessors. Brimming with historical anecdote, rife with keen sociological insight, Zeltserman invests his novel with a veracity found mostly in non-fiction. However, this is a novel and a damn entertaining one, one that reminds us that reading the book truly is more informing and riveting than seeing the movie."

Cortright McMeel, Publisher of MURDALAND

 

"PARIAH IS ALL I KNOW OF BLISS AND LAMENT. BLISS AT READING A SUPERB NOVEL AND LAMENT AT KNOWING THAT DAVE ZELTSERMAN HAS NOW RAISED THE BAR SO HIGH, WE'RE SCREWED. THIS IS THE PERFECT PITCH OF REALITY, HISTORY, CRIME, CELEBRITY, PLAGIARISM, AND SHEER ASTOUNDING WRITING. IT NEEDS A NEW WHOLE NEW GENRE NAME..........IT'S BEYOND MYSTERY, LITERATURE, A SOCIO/ECONOMIC TRACT, A SCATHING INSIGHT INTO THE NATURE OF CELEBRITY AND IN KYLE NEVIN WE HAVE THE DARKEST MOST ALLURING NOIR CHARACTER EVER TO COME DOWN THE SOUTH BOSTON PIKE OR ANYWHERE ELSE IN LITERATURE EITHER. I WANT MORE OF KYLE AND MORE OF THIS SUPERB SHOTGUN BLAST OF A NARRATIVE...........IF EVERY WRITER HAS ONE GREAT BOOK IN THEM THEN DAVE CAN REST EASY, HE HAS HIS AND IT'S TO OUR DELIGHT AND DEEPEST ENVY"

Ken Bruen

 

"PARIAH is a suspense novel at its very best with a protagonist who is far, far over on the other side of the law. Zeltserman has outdone himself with this depiction of a near-psychopathic personality that is driven by its own strange set of moral principles. The portrayal rings too true. HIGHLY RECOMMENDED." I Love A Mystery
 

"If I told you any more, I'd be taking a lot of the fun out of your reading the book, which is fast, furious, and funny. I haven't even mentioned what goes on in the last third of the story, which was, for me, the most amusing part of the book. I don't mean this is a farce. It's far from a comedy, but it's sharply satirical and mean as a junkyard dog with a burr on its butt." Bill Crider

 

"Pariah is a tense, violent and sometimes absurd study of criminality and the world’s obsession with it. Each layer has something to say that’ll leave you thinking, cringing or praying. But I mean that in the best possible way. Another great addition to the Serpent’s Tail stable." Crime Scene NI

 

"If the major newspapers and critics have any balls at all, this will be on their top ten lists – and not in some sub-category like “Best Mystery Novel” or some condescending bullshit list like that. This is the real deal, dear readers. Go get yourself a taste." NerdOfNoir, BSC Review

 

"Zeltserman creates an intense atmospheric maze for readers to observe Denton's twisting and turning between his rocks and hard places. Denton is one of the best realised characters I have read in this genre, and the powerfully noir-ish, uncompromising plot, which truly keeps one guessing from page to page, culminates with a genuinely astonishing finale." --David Connett, Sunday Express

Starred review: "Zeltserman's breakthrough third crime novel deserves comparison with the best of James Ellroy", Publisher's Weekly

"spare but ingeniously twisted and imbued with a glossy coating of black humor." Washington Post's Best Books of 2008

"Small Crimes is one of the finest dark suspense novels I've read in the past few years." Ed Gorman

Available Now

Crooked cop Joe Denton gets out of prison early after disfiguring the local district attorney, which doesn't help his popularity. Nobody wants Joe to hang around, not his ex-wife, his parents or his former colleagues. Meanwhile, local mafia don Manny Vassey is dying of cancer and keen to cut a deal with God. He's thinking of singing to the DA if this will set him up for a better afterlife. And he knows stuff that will send Joe down again for a very long time.

Set in the pressure cooker of a very small town, Small Crimes is an explosive thriller that brings the claustrophobic hell of Jim Thompson and James M. Cain right up to date.

"Small Crimes has plenty of crime, but obsession, hubris, and evil, pure and impure, are at the heart of this vivid noir." Booklist, Thomas Gaughan

"A Jim Thompson mentality on a Norman Rockwell setting... "Small Crimes" is a strong piece of work, lean and spare, but muscular where a noir novel should be, with a strong central character whom we alternately admire and despise." Boston Globe

"nifty, captivating tale... Zeltserman masterfully controls the action, offering dark noir fiction in the best Jim Thompson tradition." Ray Walsh, Lansing State Journal

"A dark masterpiece" Crimespree Magazine

"Noir at it's very best"--I Love A Mystery

"Not so much a highway to hell as a full-on rollercoaster ride." Damien Seaman, Shots Magazine

"Classic noir, dark, funny, shocking and absolutely no compromise. The last 20 pages are truly a kick in the face. Pure magic of the blackest kind.” Ken Bruen

 

"This tale is told by one of fortune's fools: Joe Denton is a crooked ex-cop in Vermont who's just been released from jail after serving seven years for stabbing the local district attorney in the face. Since what's past is never truly past in crime noir, no sooner does Joe step out of the slammer than cosmic IOU's begin to rain down on his head. First, the disfigured DA cheerfully greets Joe outside the prison and announces that a local crime kingpin (and Joe's secret boss) is dying of cancer and has found religion. The kingpin's expected confession should send Joe straight back behind bars. Then, the local sheriff (also crooked) orders Joe to murder the DA before the crime kingpin can confess. The plot of Small Crimes ricochets out from this claustrophobic opening, and it's a thing of sordid beauty." Maureen Corrigan, NPR's top 5 crime and mystery novels of 2008

"Not only does the novel have clean, simple prose, ample suspense and twists, and a fast-paced plot--standard fare; it also offers brilliant psychological insight into tortured souls, and on a deeper level, it is a moralistic tale about how small crimes beget larger ones." Bookmarks Magazine

"Small Crimes proves a deft entry in the tradition that goes back to Jim Thompson’s The Killer Inside Me, James M. Cain’s The Postman Always Rings Twice and Charles Willeford’s High Priest of California — small masterpieces celebrating the psychopath as a grinning archetype, as American as apple pie." Sun-Sentinel

"This is an extremely black tale that grips readers by the throat and doesn’t let go until their last breath has been spent. In other words, it’s a surefire contender for book of the year." Bruce Grossman, Bookgasm

"This loamy smorgasboard of salvation and revenge has both a violent and comic edge, marking Zeltserman as a name to watch." Crime Time

"The characterisation and mental torment are reminiscent of the insightful psychological thrillers of Jim Thompson. Stunning stuff." Cath Staincliffe, Tangled Web

"Surprisingly bold ending", Laura Wilson, Guardian

"Small Crimes is the kind of grim noir novel they used to write in the Thirties and Forties. There are no good guys, only men who are mean, vicious, tough, corrupt and amoral. Action is frenzied and bloody, women easy but vulnerable, dialogue curt and the plot not necessarily convincing. David Zeltserman serves up the formula with enthusiasm and some fine writing." --Marcel Berlins, London Times

"It's Jim Thompson for the new century... Zeltserman comes up with a conclusion that's both stunning and surprising. Check it out." Bill Crider

"ultra-noir, funny, and shocking by turns" Barnes & Noble

"Zeltserman delves deeply into his specialty, an unorthodox look at the criminal mind-- the 'unlucky' guy who can fool himself way too long. It kept me turning pages and glancing over my shoulder." Vicki Hendricks

"Small Crimes is a superbly crafted tale that takes the best from mid-century noir fiction and drops it expertly into the twenty-first century. Like the very best of modern noir, this is a story told in shades of grey. Immensely subtle, and written with a rare maturity and confidence, the story of troubled ex-con/ex-cop Joe Denton always keeps you guessing. This deserves to be massive. At the very least, it must surely be Dave Zeltserman’s breakthrough novel."
Allan Guthrie

 

 

When he was thirteen years old, Billy Shannon came home from school one day to find his mother being murdered in their California home. Dying slowly of asphyxia, she is drowning in her own blood; a knife protruding from her open mouth and impaling her to the kitchen table. Twenty years pass, and Bill Shannon is a cop in Cambridge, Massachusetts, living with his wife Susie and trying to get a handle on the nightmares that have plagued him for most of his adult life. Every year, as the anniversary of his mother’s death approaches, the nightmares of his mother’s killer, Herbert Winters, get progressively worse until the blackouts come, and then Shannon simply disappears from sight to return home days later without a clue of what he has done while gone.

The 20th anniversary of his mother’s death is quickly approaching and Shannon desperately needs to figure out what he has been doing during his black outs, especially since women have recently started dying in the same grisly manner as his mother. His nightmares are getting worse and the evidence against him is stacking up... Everything seems to be pointing to one of two possibilities: Shannon has gone insane or Herbert Winters is back to his old tricks. The problem is if it’s Herbert Winters, then he’s come back from a long way to torment Bill Shannon… back from the grave which Bill Shannon had sent him to twenty years earlier.

Bad Thoughts is reminiscent of Silence of the Lambs and Darkly Dreaming Dexter, a terrifying vision of evil that straddles the razor-thin line between horror and crime. The story will leave readers breathless as it races towards a shocking conclusion that few, if any, could anticipate.

 

"A compellingly clever wheels-within-wheels thriller. An ingenious plot, skillfully executed" Elliott Swanson, Booklist

"This fast-paced, gritty psychological tale balances the fine line between mystery and horror"—Library Journal

Bad Thoughts is an ambitious genre-bender combining the paranoia and existential dread of the best noir with a liberal dash of The Twilight Zone. Not to be missed. --Poisoned Pen's Booknews

"BAD THOUGHTS is one of those books that has been under the radar all year, yet deserves to be discovered by a wider audience"--Bruce Grossman, Bookgasm.com

"Dark, brutal, captivating -- this is one hell of a book, the kind of book that doesn't let go of you once you start it. Dave Zeltserman is clearly the real deal." Steve Hamilton

 

"...And it's at this point that the genre gets bent. After that, it's a wild ride. I was reminded a little of Blood Dreams, a novel by the late Jack MacLane, published by Zebra just after the era of the knives-in-fresh-fruit covers. Joe Lansdale's Act of Love had one of those covers, come to think of it. Zeltserman's book would rest comfortably on the shelf beside them. If you're looking for a hardboiled anybody-can-die-at-any-time book that's a change of pace from the usual, look no further."

Bill Crider

"THIS IS HIGH OCTANE NOIR, DAZZLING IN IT'S SHEER VIVACITY........I DIDN'T LIKE THIS BOOK, I ADORED IT" Ken Bruen

"Dave Zeltserman's Bad Thoughts is a fast moving occult thriller, with taut dialogue and smart, likeable characters. Darkness pervades the Bay State in the late 1990's and Detective Bill Shannon will be lucky to solve a standard missing person's case in one piece. In fact as the story unfolds we see that death and dismemberment could be the least of Bill's worries. Pour yourself a fifth of Scotch, get an easy chair, grab a protective talisman and enjoy."

Adrian McKinty, author of Dead I Well May Be and Hidden River

 

"I'm not sure I ever truly understood the concept of 'evil' before reading Bad Thoughts. In chilling prose and dialogue, Dave Zeltserman paints a portrait of a serial killer who surpasses Hannibal Lecter in 'creativity' and substitutes astral guile for intellect: a villain who not only toys with his victims' minds but also can enter both his victims' and the hero's dreams. Stunning, though definitely not for the faint of heart." Jeremiah Healy

 

"Fans of Thomas Harris' "The Silence of the Lambs" and other novels featuring killer/cannibal Dr. Hannibal Lecter will enjoy "Bad Thoughts." Although he is not as brilliant or cultured as Lecter, Zeltserman's killer is as frightening and cruel and has certain powers that Lecter lacks. Moreover, because Zeltserman is careful to show the reader why his character became and remains a killer, the murderer in "Bad Thoughts" is in some ways more believable than Lecter.."

Timothy J. Lockhart, Virginian-Pilot

 

 

"David Zeltserman’s Fast Lane is fast all right, and in all the good ways ... Parts of this book reminded me of my favorite Orwell book, his memoir Down and Out in Paris and London, where Orwell, though sympathetic to the destitute people he meets also functions as a spy. If he hadn’t brought some distance to his travels the book would have turned into socialist mush. Zeltserman operates the same way. Johnny Lane doesn’t use the stand patter, think the standard p.i. thoughts, or even cry and bleed as we expect of all righteous private ops to. Zeltserman is too smart for that. There’s a distance, even an irony, on the hell he takes us through. Zeltserman’s is a new and different take on all the traditional tropes and set pieces. He's a unique and accomplished writer. I sure want to read more." Ed Gorman

 

"What begins as rather standard and Chandleresque masks a tale that spirals downward into a pit of noir, lies, betrayal, murder... and worse! Private eye Johnny Lane helps a woman find her birth parents but things soon get out of hand. A likeable PI with a hidden Jim Thompson darkside that gets out of control and seems to know no depths. It's there!" Gary Lovisi, Hardboiled Magazine

 

"Fast Lane, a stunning, wild, psychotic ride of a debut by Boston’s own Dave Zeltserman ... Prediction -- fifty years from now, reviewers will be saying that the new noir guy on the scene is channeling Zeltserman’s Johnny Lane!  Johnny Lane is the psycho PI from hell and I cannot recall when I last enjoyed reading a character (and a writer) quite as well!" Lorna Hunt Ellison, Kate's Mystery Bookstore's Newsletter

 

 

"For those of us who believed Jim Thompson would never be equaled, great tidings, he's back in the form of Dave Zeltserman. Hilarious in the darkest fashion, violent, bitter, psychotic and unputdownable... FAST LANE left me bruised, battered and exhilarated ... Tough, violent amoral with that compelling first narrative that has you rooting for a lunatic and crazy he is, in the most entertaining debut since, well, Jim Thompson." KEN BRUEN

 

"In the last few years there have been a number of writers, such as Ken Bruen and Victor Gischler, who've taken the classic PI novel and tweaked the hell out of it, creating something fresh and unique. Add Dave Zeltserman to the list. Several pages into his debut, I knew that I was reading something special." Poisoned Pen's Book News, Hardboiled Crime Club Selection

 

"Johnny Lane—the protagonist from hell--to know him is not to love him. He’s that rare blend of greed, gluttony, lust, anger, and psychopathic rationalization that in real life would make you want to shoot first and never bother to ask questions. With tremendous skill, Zeltserman lures you to a wild ride on the shoulders of a grizzly. You can’t let go." Vicki Hendricks

 

"FAST LANE has everything I relish in a noir novel--an ingenious, twisting plot, characters I took to heart though I wouldn’t want to take some of them home, and a pace that kept me riveted to a book I couldn’t tear away from in one long, deep-into-the night reading. Dave Zeltserman, you’re a treasure!" Seymour Shubin

 

"FAST LANE has plenty of shocks, and as P.I. Johnny Lane's life begins to spin out of control, Zeltserman leads the reader on to the bleak conclusion with smooth prose and a sure hand.  This one's a noir keeper." Bill Crider

 

"FAST LANE is a wild ride on the darkest noir side of the street. Zeltserman has updated Jim Thompson themes of character and situation to forge a private eye novel where everything that can go wrong, does...with highly entertaining, if very grim results." Jeff Gelb