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"Spare prose and assured pacing place this above most other contemporary
noirs." Publisher's Weekly
"Written in a spare,
terse style, and with chapters alternating between past and present, we
slowly learn more about March. But even then the closing chapters
present a devastating twist and shocking conclusion."
Sunday Tribune

"Dave Zeltserman's Killer is simply one of the best crime novels I've
read. Not in a long time, not in ages, not this year, but ever."
Juri Nummelin, Pulpetti
"The whole book is told in tightly
controlled prose that's perfectly suited to the subject matter. Killer
is another bang-up job from Zeltserman, and a noir novel in the grand
tradition. Don't miss it." Bill Crider
"In a Nutshell: Superbly
written with a real twist in the tale, Killer is a novel which will
appeal to lovers of crime fiction and the general readers alike. As a
reader who usually ‘crosses the road’ to get away from crime fiction,
Zeltserman has single-handedly convinced me that I should rethink my
long-established custom of shying away from the genre."
RobAroundBooks
"This is arguably the
quietest and most intimate of the trilogy, it is neither the
riding-shotgun-with-a-psychopath hell ride that was Pariah nor a
twistily plotted, emotionally devasting shocker like Small Crimes.
There’s plenty of violence and the ending takes a stark turn that is
extremely dark and satisfying, but this is the most character study-esque
novel of the trio. Also, though March may have the highest body count of
the three novels’ protagonists, he is arguably the most
sympathetic...Killer caps off one of the more striking runs in crime
fiction of recent years, a series that was consistently darker, bleaker
and more violent than practically anything else out there right now."
Nerd of Noir
"And it’s a voice that tugs
at the reader’s emotions in subtle, contradictory ways, which makes it
seem convincing and credible. In addition, the structure of the book,
with chapters alternating between the present and past events, enables
the reader to get a rounded grasp of March’s persona and his history of
violence." Rob Kitchin, The
ViewFromTheBlueHouse
"This excellent tale moves
along at a great pace as March tries to redefine himself after prison
and reconnect with his children. The chapters alternate between present
day and flashbacks to his days as a hitman. There are twist and turns in
this novel that will keep you guessing until the last page. If crime
fiction is at all for you, you should check this book out because
Zeltserman is a new master."
410Media
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"Dave
Zeltserman is at it again writing about ex-con antiheroes with the kind
of panache that would make Jim Thompson, king of the psycho killer
novels, proud." Boston Globe
"With graphic imagery and exciting twists, this novel is impossible
to put down and has a surprising ending. A brilliant read." Aberdeen
Press & Journal
"Finishing off his
men-out-of-prison trilogy, Dave Zeltserman delivers KILLER, which does
nothing else but prove to readers that he is truly the king of Boston
crime. This is not some overwrought, long-winded attempt at noir, but
streamlined, punch-to-the-gut writing.... His style is one of the best
among crime writers going today. So far, the two other books of this
trilogy have made many best-of lists, and — guess what? — this will be
his hat trick. I can’t think of another writer I’m more excited to see
another book come from than Zeltserman"
Bookgasm
"Killer is a major novel of
crime." Ed Gorman
"This novel is everything hard-boiled fiction should be - compact,
direct and disciplined, and concerned with humans rather than
stereotypes. It is also, for all its violent subject matter, a quietly
told story, which makes its tension all the more intense" Mat
Coward, Morning Star
"This short, sharp blast of a
novel continues Zeltserman’s fearless exploration of criminal
psychopathy with a strong narrative, a unique voice and a willingness to
present the reader with protagonists who may not be inspirational or
necessarily sympathetic, but are endlessly complex, fascinating and
terrifying." Crime Scene Scotland
"this is vintage Zeltserman,
and that means there's always a tail. With a sting. Be warned."
Roger Smith
"Here at the Bookbag, we've been very impressed with Dave
Zeltserman's work thus far. He uses a wonderful noirish narrative that
takes you straight to the heart of the story. His story telling is very
straightforward, not weighing down the story with too much style, but
sticking to the substance and delivering a hard-hitting work every time.
With Killer, he has done the same again." Iain, Wear,
thebookgag.co.uk
"Read the book, amici. It’s a very good one that will rock you in the
last few pages." Charlie Stella
"Highly recommended ... Zeltserman’s choices and the way he links
them feel exactly right. He times the revelations and the peeling away
of the past to enhance events happening in the present." NextRead
"To put it simply, Killer is a brilliant character study that will
rip the literary rug right out from under the reader's tightly-curled
toes." Corey Wilde, The Drowning Pool
"Right off the bat let me
tell you that Killer is the best of the ‘Man out of prison’ trilogy.
Don’t get me wrong, the casual psychopathic meanderings of Joe Denton in
Small Crimes was a sinister treat and the over the top violence and
subtle social satire of Pariah was out-and-out brilliant. But with
Leonard March, Zeltserman has found a wholly empathic narrator. Readers
will connect with March and feel for his struggle to assimilate into a
society that he was never really apart of and will be enthralled with
how Zeltserman craftily alternates the story lines between March’s
dismal present and the chapters which detail his evolution as a hired
killer." Spinetingler
Magazine
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"I didn't think a suspense
story could get any more dark and twisted than Zeltserman's pulp
masterpiece…Small Crimes…Now comes Pariah, a doozy of a doom-laden crime
story that not only makes merry with the justice system, but also
satirizes those bottom feeders in the publishing industry who would sign
Osama bin Laden to a six-figure contract for his memoirs, if only they
could figure out which cave to send their lawyers into. If there's any
other young writer out there who does crime noir better than Zeltserman,
I don't even want to know. As it is, I can barely handle reading him
without altogether losing whatever faith I've got left in humanity."
Maureen Corrigan, Washington Post
"Pariah is a terrific
blast" Metro (UK)
"With this book
Zeltserman entrenches his position as the ranking neo-noirist, putting a
contemporary spin on a tradition that goes way back to Thompson and
James M. Cain. If you like your fiction dark, lean and uncompromising,
Pariah has to be at the top of your list."
Roger Smith, Crime Beat South Africa
"It
happens rarely, but sometimes you get to the end of a book and what has
gone before leaves you speechless. As a reader, this is a wonderful
feeling, as you've just been through a great experience. As a book
reviewer, however, it presents a problem, as you tend to have to sum up
a book in more than no words. My first draft of this review read simply
'...' ...
It's the kind of book that is going to
spoil whatever I read next, as it's going to be found wanting compared
to this.
This is a book that
anyone with even the slightest interest in the crime or thriller genres
simply must get their hands on, as it's bound to have a huge impact on you." The Bookbag
"I just finished reading
Dave's new novel Pariah. It is one of the most crazed, hilarious,
bitter, brutal novels this side of those composed on violent wards."
Ed Gorman

Once part of the holy triumvirate
ruling the South Boston Irish Mob, Kyle Nevin is set up by
his boss Red Mahoney, which leads him to a court case and a stretch
in the slammer. Newly released, and reduced to sleeping on his brother's
couch, Kyle's hungry -- for revenge, status and easy money
A kidnapping gone horribly wrong leads
to a major book deal for Kyle and newfound celebrity -- but it also
unleashes a trail of mayhem for those unlucky enough to cross his path.
Pariah is a heady mix of crime
novel, history, social commentary and a satirical look at the publishing
industry.
"For those who prefer the darker
slice of life, Pariah will keep you glued to its pages. The chain
reaction of Kyle Nevin’s release from prison on the world around him is
the stuff of nuclear explosions. Violent, sexual and relentless, there
are no holds barred anywhere in this wonderful launch into evil. The
meek beware … be-very-ware." Charlie Stella
"Zeltserman has succeeded in bringing a blithely psychopatic character
to the page who will chill the blood.
Despite the utter moral bankruptcy of
the main character, Pariah is gripping as opposed to repugnant.
Zeltserman's writing and plotting are sharp and the plot is immaculately
crafted. The only other author writing about such venal characters with
such an incisive eye is Jason Starr, and some of Starr's characters are
downright cuddly when compared to Zeltserman's. Pariah is a scathing
rebuke of society's obsession with fame, and mythologizing of gangsters
and the repugnant moral calculus that allows them to victimize innocent
people with impunity" Nathan Cain, Independent Crime
"Its rare that a meta novel ends up
being entertaining as well as clever, but Dave Zeltserman’s excellent
new novel, Pariah manages that trick very successfully; at once a noir-ish
kidnap novel and an attack on the nature of celebrity memoir, plagiarism
and the worst excesses of the publishing industry."
Crime Scene Scotland
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"Darkly enjoyable... clear,
crisp prose; his fearless portrait of amorality; and his smart
plotting... what a fine addition to the local literary scene he’s become."
Boston Globe
"Another phenomenal outing for
Zeltserman" Thuglit
"This is a masterpiece."
Seymour Shubin
"Following up the critically acclaimed
SMALL CRIMES, Dave Zeltserman had to prove that book was not some sort
of fluke. PARIAH proves that CRIMES was no fluke, even surpassing that
previous novel in leaps and bounds, to the point that Zeltserman should
be considered the new king of Boston crime. In my eyes, the last writer
who held that title was George V. Higgins." Bruce Grossman,
Bookgasm,
"Take Dave Zeltserman’s
Pariah, an entry in what I think of as the Whitey Bulger
sweepstakes. Fictions based on the fugitive Boston Irish mobster to date
include George V. Higgins’ 2000 novel At the End of the Day
and the Oscar-winning Martin Scorsese film The Departed.
Zeltserman, writing in the pitch-black comic tradition of Jim Thompson
or Charles Willeford, deserves to stand in such exalted company."
Chauncey Mabe, Palm Beach Arts Paper
"PARIAH
is my pick for crime novel of the year. Tough, relentless, and packed
with blunt force trauma, the book uses a Whitey Bulger-inspired premise
as the framework for a disturbing and darkly satirical study of a
psychopath." Hard Feelings
"This book just sucked the air right
out of me. It's more than great noir. This book's got teeth that bite
and claws that catch, and it's a masterpiece... If you revere the dark
tales of Charles Willeford, Jim Thompson and James M. Cain, add Dave
Zeltserman's name to your list. I promise you that in years to come,
when those first three names are mentioned, so will the fourth." Corey
Wilde, The Drowning Pool
"Mean like bad whiskey and sophisticated like good scotch, PARIAH is a
rare find and a scorching read. This accomplished novel features a great
blend of strong narrative voice and a realistic, multi-layered plot that
lays bare the dark soul of South Boston's underworld. In Kyle Nevin, his
main character, Zeltserman has a dark Celine creation that is as
literary as he is noir. To my mind this novel provides the final word on
the Southie's demise and does so more artfully than it's predecessors.
Brimming with historical anecdote, rife with keen sociological insight,
Zeltserman invests his novel with a veracity found mostly in
non-fiction. However, this is a novel and a damn entertaining one, one
that reminds us that reading the book truly is more informing and
riveting than seeing the movie."
Cortright McMeel, Publisher of MURDALAND
"PARIAH IS ALL I KNOW OF
BLISS AND LAMENT. BLISS
AT READING A SUPERB NOVEL AND LAMENT AT KNOWING THAT DAVE ZELTSERMAN HAS
NOW RAISED THE BAR SO HIGH, WE'RE SCREWED. THIS IS THE PERFECT PITCH OF
REALITY, HISTORY, CRIME, CELEBRITY, PLAGIARISM, AND SHEER ASTOUNDING
WRITING. IT NEEDS A NEW WHOLE NEW GENRE NAME..........IT'S BEYOND
MYSTERY, LITERATURE, A SOCIO/ECONOMIC TRACT, A SCATHING INSIGHT INTO THE
NATURE OF CELEBRITY AND IN KYLE NEVIN WE HAVE THE DARKEST MOST ALLURING
NOIR CHARACTER EVER TO COME DOWN THE SOUTH BOSTON PIKE OR ANYWHERE ELSE
IN LITERATURE EITHER. I WANT MORE OF KYLE AND MORE OF THIS SUPERB
SHOTGUN BLAST OF A NARRATIVE...........IF EVERY WRITER HAS ONE GREAT
BOOK IN THEM THEN DAVE CAN REST EASY, HE HAS HIS AND IT'S TO OUR DELIGHT
AND DEEPEST ENVY"
Ken
Bruen
"PARIAH is a suspense novel at its
very best with a protagonist who is far, far over on the other side of
the law. Zeltserman has outdone himself with this depiction of a
near-psychopathic personality that is driven by its own strange set of
moral principles. The portrayal rings too true. HIGHLY RECOMMENDED."
I Love A Mystery
"If I told you any more, I'd be taking
a lot of the fun out of your reading the book, which is fast, furious,
and funny. I haven't even mentioned what goes on in the last third of
the story, which was, for me, the most amusing part of the book. I don't
mean this is a farce. It's far from a comedy, but it's sharply satirical
and mean as a junkyard dog with a burr on its butt."
Bill Crider
"Pariah is a tense, violent and
sometimes absurd study of criminality and the world’s obsession with it.
Each layer has something to say that’ll leave you thinking, cringing or
praying. But I mean that in the best possible way. Another great
addition to the Serpent’s Tail stable."
Crime Scene NI
"If the major newspapers and critics
have any balls at all, this will be on their top ten lists – and not in
some sub-category like “Best Mystery Novel” or some condescending
bullshit list like that. This is the real deal, dear readers. Go get
yourself a taste."
NerdOfNoir, BSC Review
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"Zeltserman creates an intense atmospheric maze for readers to observe
Denton's twisting and turning between his rocks and hard places. Denton is
one of the best realised characters I have read in this genre, and the
powerfully noir-ish, uncompromising plot, which truly keeps one guessing
from page to page, culminates with a genuinely astonishing finale."
--David Connett, Sunday Express
Starred review: "Zeltserman's
breakthrough third crime novel deserves comparison with the best of
James Ellroy", Publisher's Weekly
"spare but
ingeniously twisted and imbued with a glossy coating of black humor."
Washington Post's Best Books of 2008
"Small
Crimes is one of the finest dark suspense novels I've
read in the past few years." Ed Gorman

Available Now
Crooked cop Joe Denton gets out of prison early
after disfiguring the local district attorney, which doesn't help his
popularity. Nobody wants Joe to hang around, not his ex-wife, his
parents or his former colleagues. Meanwhile, local mafia don Manny
Vassey is dying of cancer and keen to cut a deal with God. He's thinking
of singing to the DA if this will set him up for a better afterlife. And
he knows stuff that will send Joe down again for a very long time.
Set in the pressure cooker of a very small town,
Small Crimes is an explosive thriller that brings the claustrophobic
hell of Jim Thompson and James M. Cain right up to date.
"Small Crimes has plenty of crime,
but obsession, hubris, and evil, pure and impure, are at the heart of
this vivid noir." Booklist, Thomas Gaughan
"A Jim Thompson mentality on a
Norman Rockwell setting... "Small Crimes" is a strong piece of work,
lean and spare, but muscular where a noir novel should be, with a strong
central character whom we alternately admire and despise."
Boston Globe
"nifty, captivating tale... Zeltserman masterfully controls the
action, offering dark noir fiction in the best Jim Thompson tradition."
Ray Walsh, Lansing State Journal
"A dark masterpiece"
Crimespree Magazine
"Noir at it's very
best"--I Love A Mystery
"Not so
much a highway to hell as a full-on rollercoaster ride."
Damien
Seaman, Shots Magazine
"Classic noir, dark, funny, shocking and absolutely no
compromise. The last 20 pages are truly a kick in the face. Pure magic
of the blackest kind.” Ken Bruen
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"This tale is told by
one of fortune's fools: Joe Denton is a crooked ex-cop in Vermont who's
just been released from jail after serving seven years for stabbing the
local district attorney in the face. Since what's past is never truly
past in crime noir, no sooner does Joe step out of the slammer than
cosmic IOU's begin to rain down on his head. First, the disfigured DA
cheerfully greets Joe outside the prison and announces that a local
crime kingpin (and Joe's secret boss) is dying of cancer and has found
religion. The kingpin's expected confession should send Joe straight
back behind bars. Then, the local sheriff (also crooked) orders Joe to
murder the DA before the crime kingpin can confess. The plot of
Small Crimes ricochets out from this claustrophobic opening, and
it's a thing of sordid beauty." Maureen Corrigan, NPR's top 5 crime
and mystery novels of 2008
"Not only does the novel have clean, simple prose,
ample suspense and twists, and a fast-paced plot--standard fare; it also
offers brilliant psychological insight into tortured souls, and on a
deeper level, it is a moralistic tale about how small crimes beget
larger ones." Bookmarks Magazine
"Small Crimes proves
a deft entry in the tradition that goes back to Jim Thompson’s The
Killer Inside Me, James M. Cain’s The Postman Always Rings Twice and
Charles Willeford’s High Priest of California — small masterpieces
celebrating the psychopath as a grinning archetype, as American as apple
pie." Sun-Sentinel
"This is an extremely black
tale that grips readers by the throat and doesn’t let go until their
last breath has been spent. In other words, it’s a surefire contender
for book of the year."
Bruce Grossman, Bookgasm
"This loamy smorgasboard of salvation and revenge has both a
violent and comic edge, marking Zeltserman as a name to watch."
Crime Time
"The characterisation and mental torment are reminiscent of the
insightful psychological thrillers of Jim Thompson. Stunning stuff."
Cath Staincliffe, Tangled Web
"Surprisingly bold
ending", Laura Wilson, Guardian
"Small Crimes is the
kind of grim noir novel they used to write in the Thirties and Forties.
There are no good guys, only men who are mean, vicious, tough, corrupt
and amoral. Action is frenzied and bloody, women easy but vulnerable,
dialogue curt and the plot not necessarily convincing. David Zeltserman
serves up the formula with enthusiasm and some fine writing."
--Marcel
Berlins, London Times
"It's Jim Thompson
for the new century... Zeltserman comes up with a conclusion that's both
stunning and surprising. Check it out." Bill
Crider
"ultra-noir, funny, and shocking
by turns" Barnes & Noble
"Zeltserman delves deeply into his specialty, an unorthodox look at
the criminal mind-- the 'unlucky' guy who can fool himself way too long.
It kept me turning pages and glancing over my shoulder."
Vicki Hendricks
"Small Crimes is a superbly crafted tale that takes the best from
mid-century noir fiction and drops it expertly into the twenty-first
century. Like the very best of modern noir, this is a story told in
shades of grey. Immensely subtle, and written with a rare maturity and
confidence, the story of troubled ex-con/ex-cop Joe Denton always keeps
you guessing. This deserves to be massive. At the very least, it must
surely be Dave Zeltserman’s breakthrough novel." Allan
Guthrie
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When he
was thirteen years old, Billy Shannon came home from school one day to
find his mother being murdered in their California home. Dying slowly of
asphyxia, she is drowning in her own blood; a knife protruding from her
open mouth and impaling her to the kitchen table. Twenty years pass, and
Bill Shannon is a cop in Cambridge, Massachusetts, living with his wife
Susie and trying to get a handle on the nightmares that have plagued him
for most of his adult life. Every year, as the anniversary of his
mother’s death approaches, the nightmares of his mother’s killer,
Herbert Winters, get progressively worse until the blackouts come, and
then Shannon simply disappears from sight to return home days later
without a clue of what he has done while gone.
The 20th anniversary of his mother’s
death is quickly approaching and Shannon desperately needs to figure out
what he has been doing during his black outs, especially since women
have recently started dying in the same grisly manner as his mother. His
nightmares are getting worse and the evidence against him is stacking
up... Everything seems to be pointing to one of two possibilities:
Shannon has gone insane or Herbert Winters is back to his old tricks.
The problem is if it’s Herbert Winters, then he’s come back from a long
way to torment Bill Shannon… back from the grave which Bill Shannon had
sent him to twenty years earlier.
Bad Thoughts is
reminiscent of
Silence of the Lambs and
Darkly Dreaming Dexter, a
terrifying vision of evil that straddles the
razor-thin line between horror and crime. The story will leave readers
breathless as it races towards a shocking conclusion that few, if any,
could anticipate.
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"A compellingly clever
wheels-within-wheels thriller. An ingenious plot, skillfully executed"
Elliott Swanson, Booklist
"This fast-paced, gritty psychological
tale balances the fine line between mystery and horror"—Library
Journal
Bad Thoughts is an
ambitious genre-bender combining the paranoia and existential dread of
the best noir with a liberal dash of The Twilight Zone. Not to be
missed. --Poisoned Pen's Booknews
"BAD THOUGHTS is one of
those books that has been under the radar all year, yet deserves to be
discovered by a wider audience"--Bruce Grossman, Bookgasm.com
"Dark, brutal, captivating -- this is one hell of a book, the kind of
book that doesn't let go of you once you start it. Dave Zeltserman is
clearly the real deal." Steve Hamilton
"...And it's at this point that the genre gets bent. After that, it's a
wild ride. I was reminded a little of Blood Dreams, a novel by the late
Jack MacLane, published by Zebra just after the era of the
knives-in-fresh-fruit covers. Joe Lansdale's Act of Love had one of
those covers, come to think of it. Zeltserman's book would rest
comfortably on the shelf beside them. If you're looking for a hardboiled
anybody-can-die-at-any-time book that's a change of pace from the usual,
look no further."
Bill
Crider
"THIS IS HIGH OCTANE NOIR, DAZZLING IN IT'S
SHEER VIVACITY........I DIDN'T LIKE THIS BOOK, I ADORED IT" Ken Bruen
"Dave
Zeltserman's Bad Thoughts is a fast moving occult thriller, with taut
dialogue and smart, likeable characters. Darkness pervades the Bay State
in the late 1990's and Detective Bill Shannon will be lucky to solve a
standard missing person's case in one piece. In fact as the story
unfolds we see that death and dismemberment could be the least of Bill's
worries. Pour yourself a fifth of Scotch, get an easy chair, grab a
protective talisman and enjoy."
Adrian
McKinty, author of Dead I Well May Be and Hidden River
"I'm not sure I ever truly understood the concept of
'evil' before reading Bad Thoughts.
In chilling prose and dialogue, Dave Zeltserman paints a portrait of a
serial killer who surpasses Hannibal Lecter in 'creativity' and
substitutes astral guile for intellect: a villain who not only toys with
his victims' minds but also can enter both his victims' and the hero's
dreams. Stunning, though definitely not for the faint of heart."
Jeremiah Healy
"Fans of Thomas Harris' "The Silence of the Lambs" and other novels
featuring killer/cannibal Dr. Hannibal Lecter will enjoy "Bad Thoughts."
Although he is not as brilliant or cultured as Lecter, Zeltserman's
killer is as frightening and cruel and has certain powers that Lecter
lacks. Moreover, because Zeltserman is careful to show the reader why
his character became and remains a killer, the murderer in "Bad
Thoughts" is in some ways more believable than Lecter.."
Timothy J. Lockhart,
Virginian-Pilot
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"David Zeltserman’s Fast
Lane is fast all right, and in all the good ways ... Parts of this
book reminded me of my favorite Orwell book, his memoir Down and Out
in Paris and London, where Orwell, though sympathetic to the
destitute people he meets also functions as a spy. If he hadn’t
brought some distance to his travels the book would have turned into
socialist mush. Zeltserman operates the same way. Johnny Lane
doesn’t use the stand patter, think the standard p.i. thoughts, or
even cry and bleed as we expect of all righteous private ops to.
Zeltserman is too smart for that. There’s a distance, even an irony,
on the hell he takes us through. Zeltserman’s is a new and different
take on all the traditional tropes and set pieces. He's a unique and
accomplished writer. I sure want to read more."
Ed Gorman
"What begins as rather
standard and Chandleresque masks a tale that spirals downward into a
pit of noir, lies, betrayal, murder... and worse! Private eye Johnny
Lane helps a woman find her birth parents but things soon get out of
hand. A likeable PI with a hidden Jim Thompson darkside that gets
out of control and seems to know no depths. It's there!"
Gary Lovisi, Hardboiled Magazine
"Fast Lane, a
stunning, wild, psychotic ride of a debut by Boston’s own Dave
Zeltserman ... Prediction -- fifty years from now, reviewers will be
saying that the new noir guy on the scene is channeling Zeltserman’s
Johnny Lane! Johnny Lane is the psycho PI from hell and I cannot
recall when I last enjoyed reading a character (and a writer) quite
as well!"
Lorna Hunt Ellison, Kate's Mystery Bookstore's Newsletter
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"For those of us who believed Jim
Thompson would never be equaled, great tidings, he's back in the form of
Dave Zeltserman. Hilarious in the darkest fashion, violent, bitter,
psychotic and unputdownable... FAST LANE left me bruised, battered and
exhilarated ...
Tough,
violent amoral with that compelling first narrative that has you rooting
for a lunatic and crazy he is, in the most entertaining debut since,
well, Jim Thompson."
KEN BRUEN
"In the last few years there have
been a number of writers, such as Ken Bruen and Victor Gischler, who've
taken the classic PI novel and tweaked the hell out of it, creating
something fresh and unique. Add Dave Zeltserman to the list. Several
pages into his debut, I knew that I was reading something special."
Poisoned Pen's Book News, Hardboiled Crime Club Selection
"Johnny Lane—the protagonist from
hell--to know him is not to love him. He’s that rare blend of greed,
gluttony, lust, anger, and psychopathic rationalization that in real
life would make you want to shoot first and never bother to ask
questions. With tremendous skill, Zeltserman lures you to a wild ride on
the shoulders of a grizzly. You can’t let go."
Vicki Hendricks
"FAST LANE has everything I relish
in a noir novel--an ingenious, twisting plot, characters I took to heart
though I wouldn’t want to take some of them home, and a pace that kept
me riveted to a book I couldn’t tear away from in one long,
deep-into-the night reading. Dave Zeltserman, you’re a treasure!"
Seymour Shubin
"FAST LANE has plenty of shocks, and as P.I. Johnny Lane's life begins
to spin out of control, Zeltserman leads the reader on to the bleak
conclusion with smooth prose and a sure hand. This one's a noir
keeper."
Bill Crider
"FAST LANE is a wild ride on the
darkest noir side of the street. Zeltserman has updated Jim Thompson
themes of character and situation to forge a private eye novel where
everything that can go wrong, does...with highly entertaining, if very
grim results."
Jeff Gelb |
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